https://www.leahoros.com/conceptdesign
daily
0.75
2018-07-18
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Concepts || Design
Photo: Tom C Gavin
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Concepts || Design
Photo by Tom Gavin
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
Photo by Tom Gavin
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Concepts || Design
Photo by Tom Gavin
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
Site Interior
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Concepts || Design
Layer 4 | Esteem
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Concepts || Design
Layer 1 | Psychological Needs
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Concepts || Design
Site Exterior
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Concepts || Design
Key Layer
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Concepts || Design
Site Interior
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Concepts || Design
Layer 5 | Self Actualization
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Concepts || Design
Site Map
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Concepts || Design
Initial Concept Map
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Concepts || Design
Layer 3 | Love and Belonging
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Concepts || Design
Layer 2 | Safety
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Concepts || Design
Photo: Tom C Gavin
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
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Concepts || Design
https://www.leahoros.com/icommentaryinstallations
daily
0.75
2018-07-18
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
"Dear Alexa" Paris 2016
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
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Commentary || Installations
https://www.leahoros.com/brandworkcollaborations
daily
0.75
2018-08-03
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Brand Work || Collaborations
Nuit Blanche Installation | Paris, October 2017 To work collectively you need to share information. Information has a content and a message; the relationship between the significant and the signified is reversible, however. Looking for information pavilions during Nuit Blanche, you may seek for a standardised, normal, neutral shelter. But our idea is to question those norms, those common relationships which inform us as much as we inform them. There is no motion without information, and reciprocally there is no information without motion. We want to embody this relationship by creating a mobile spatial device which could work as an ongoing trajectory. The device is a closed circuit, visually operating in the transition between concealed data and open, accessible and circulating information. Booklets come from a private and secluded place, whose production process is invisible, yet its circulation and accessibility is continuous and fluid. It is made public. IDENTIFIABLE. As the device has no antecedent in public space, it works as an unidentified object, a significant whose signified has been altered, whose primary function has been transformed. The IFNOMOTION box acts as a distinctive object in the city, while the lighted and working conveyors give a visual and sound notice to the public. INSTALLATION. Conveyers of various sizes, and their specific polycarbonate coverage, work as singular and detachable modules; combination and layout depends on every situation. The conveyors are rented, simple to use and don’t exceed 6 meters in length. They are easily transportable, reusable and do not need to be stored.
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Brand Work || Collaborations
Photo by Tom Gavin "Purgatory of Transition" | Paris, February 2017 Art and the creation of it, has long been democratic to some and highly codified to others. Beauty, as the base of creation is available everywhere and to everyone, therefore it can be injected into things that may not viewed as inherently beautiful. Discarded personal objects are a social aspect of planned obsolescence; a phenomena that contributes to waste one that perpetuates that cultures are “buying to buy” instead of a paradigm shift of owning and maintaining. The physical manifestation of this is unwanted items in the streets, trash and in resale shops- the social aspect. Why are the items of the historical past held at a higher value? Why are antiques highly sought after? With this project, we are aiming to create a consciousness around our personal things, why some have applied meaning and others are “worthless.” The transitional period each object stands in, is in waiting its final assignment of worth. The adaptation given was a means to a second chance to the things that have been discarded. They are abandoned because the function of that furniture is no longer useful, but many don’t consider the history acquired by that object, over time, that has lived with them. The idea that each thing we own has an heirloom quality to it, even if we don’t recognize that. Programmed obsolescence is a phenomena that comes incorporated in everything man-manufactured and has caused us to feel distant to the things we surround ourselves with. By repairing the lost furniture, and changing its context we are giving it new artistic life. The intended effect is to cause the spectator more conscience with the real life of the objects and their second life. To make them know that everything can be recuperated and restored but with a new point of view from the design based in Arte Povera, Situationist International Dérive whose origins and intent try to make people more aware that their carelessness has consequence.
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Brand Work || Collaborations
Miroirs Brisés, Broken Mirrors is an exploration of the images that belong to us through our experiences. Those that have shaped our Paris. The Paris that we share but yet belongs only to our memories individually. Once departed from the city itself we only have these memories; a dichotomy that brings us freedom and solitude. Kalina makes films and I'm a designer. With these two skills we will be making a joint installation that presents as somewhat of an event, an ephemeral space that exists only for the purpose of us to invite people to experience and view what we've created. The physical surrounds will be like an apartment or studio space that Leah designed, hopefully yielding a further extension of the essence of the film which will discuss more of the narrative we are exploring. The film with narrate interwoven experiences of others, the individual experiences will be delivered as a singular story with multiple authors. The physical space will extend these experiences through the senses as humans create with emotions through those sensory abilities. The elements of light, scent, touch, and sound will bleed into the deeper senses of balance, direction and time. As an inspirational reference, there is a photo book called Tokyo 35 N by Ami Sioux, the photographer traveled to Japan and asked people on the street to hand-draw her a map form where the currently were to a place that held a value, memory or feeling for them. She then followed that map and took a photo of the place. This will be somewhat of a film adaptation of this idea, but covers more area given that it is film and not photo. It has the opportunity for more depth.
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
Michael Del Piero Good Design Photo | Janet Mesic Mackie
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
"Collective Recollection" | Paris, October 2016 Collective Recollection is an abstraction starting from personal memories, combining audio and visual elements to create a collective recollection between the artists and the participants. Unlike short-term memories, long-term memories have a physical presence in the brain, and aren’t dependent purely on specific patterns of activity. Neurons make new physical connections and synapses with each other when a new long-term memory is formed. This connection endures whether it’s being used or not. Based on the concept of self reinforcing memories and the human tendency to project one's personal experiences on others, a new visual identity of collective recollection will be made. Participants who interact with the multi-sensory installation become the conduits to the artists’ physically attached memories. The physical interactions with the artists’ memories, participants create another physical memory within themselves through their body and mind. Participants create a chain reaction by connecting impersonal collective to new and personal. The collective memories will translate into personal physical experiences creating a chain reaction between the installation and the audience.
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Brand Work || Collaborations
Club Monaco Fall 2014
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Brand Work || Collaborations
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Brand Work || Collaborations
Club Monaco Summer 2016
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Brand Work || Collaborations
Club Monaco Summer 2013
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Brand Work || Collaborations
Club Monaco Spring 2016
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Brand Work || Collaborations
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Brand Work || Collaborations
Club Monaco Winter 2016
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Brand Work || Collaborations
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Brand Work || Collaborations
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Brand Work || Collaborations
https://www.leahoros.com/main
daily
1.0
2018-11-15
https://www.leahoros.com/about
daily
0.75
2018-07-25
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About
Paris 2017 Photo by Tom Gavin